Friday, July 4, 2014

How To Choose A Monologue For A Stage Audition

http://monologuesforwomen.com/blog/developing-and-performing-funny-monologues-for-women/
How To Choose A Monologue For A Stage Audition
Practically any theater audition will require actors to perform a monologue. Choosing the right monologue can be essential in determining if you will be cast. Below are some important tips to bear in mind when picking your audition monologue.

Length: Bear in mind, less is a lot more. Many actors come under the trap of choosing a 4-5 minute monologue. This simply enhances the opportunities of you losing your audience. I advise performing a monologue that's no more then a minute long. If the director should hear a lot more, he/she will ask you to perform something else. The important point to bear in mind is to leave them wanting additional!

Have several monologues prepared: Sometimes the director will desire to hear something else. This is why it's important to consistently have several monologues in your "back pocket" merely in instance. These should consistently be of varying styles and genres. As an example you should consistently have the following sorts of monologues prepared just before you willing to any audition: contemporary dramatic, contemporary comedic, timeless dramatic, timeless comedic.

Genre: This seems simple good enough, yet you would be shocked the amount of actors choose an inappropriate monologue for the play they're auditing for! It's simple, if you're auditing for a comedy, perform comedic monologue. The very same goes if it's a drama. Additionally bear in mind to adhere to the guidelines in the audition notice. Sometimes it will mention just what the sort of monologue should be performed.

Performing from the play: Unless it's especially mentioned, you should NEVER perform a monologue from the play through which you're auditioning. If the director wants to hear you perform a piece from the play, he/she will call you back.

Self contained: The monologue should have an all-natural beginning, mid and end. It should be self contained so the director knows specifically which you're talking to, the problem and resolution. Assume if it as a mini-play. Additionally avoid monologues that require a bunch of back story.

Conclusion

Remember; most importantly else an audition is a performance. Strive to take the director on a "flight" with you. Make him/her view the character. Permit him/her to feel the problem. If you do, you'll have many unbelievable acting possibilities in store for you!

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